Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | Surrender of Breda | las meninas | Christ in the House of Mary and Marthe | Las meninas,or the Family of Philip IV | Democrito |
Related Artists:
camille bombois

Deas Charles
American Painter 1818-1867 After an unsuccessful attempt to obtain an appointment at West Point Military Academy, he turned to an artistic career. He quickly earned recognition at the annual exhibitions of the National Academy of Design, New York, to which he was elected an associate member in 1839, with subjects taken from James Fenimore Cooper,
Nathaniel Currier
American lithographer and print publishers , 1813-1888 was an American lithographer, who headed the company Currier & Ives with James Ives. Currier was born in Roxbury, Massachusetts to Nathaniel and Hannah Currier. He attended public school until age fifteen, when he was apprenticed to the Boston printing firm of William and John Pendleton. The Pendletons were the first successful lithographers in the United States, lithography having only recently been invented in Europe, and Currier learned the process in their shop. He subsequently went to work for M. E. D. Brown in Philadelphia, in 1833. The following year, Currier moved to New York City, where he was to start a new business with John Pendleton. Pendleton backed out, and the new firm became Currier & Stodart, which lasted only one year. In addition to being a lithographer, he was also a volunteer fireman in the 1850s. In 1835, Currier started his own lithographic business as an eponymous sole proprietorship. He initially engaged in standard lithographic business of printing sheet music, letterheads, handbills, etc. However, he soon took his work in a new direction, creating pictures of current events. In late 1835, he issued a print illustrating a recent fire in New York. Ruins of the Merchant's Exchange N.Y. after the Destructive Conflagration of Decbr 16 & 17, 1835 was published by the New York Sun, just four days after the fire, and was an early example of illustrated news.